I have worn this several times trying to wrap my mind around it. The floral notes are so perfect. They aren't fake or overpowering. It's so real that it's surprising and impressive. The overall vibe is cold, somber, and elegant, so basically everything you would want if you're considering this perfume.

I have been longing to try Coimetrophilia for months since first discovering it in my quest for any and all cemetery scents. I was so happy to see Nui brought it back for their Valentine’s collection. I chose to wear it on what would have been my grandpa’s 90th birthday and was actually brought to tears by how comforting and beautiful it smells. Each and every note comes through for me, beginning with the freshly turned soil and rain. It is a Jewish custom to place a small stone on a grave after visiting, and the wet stone note calls to mind that brief moment spent searching through the dirt beneath the trees that line the edge of the cemetery for a stone that calls to me. With lilies being my favorite flower, the impression they’ve left in this is one of true serenity. Overall, this is blended to perfection. It’s got a chilling quality in the most comforting way, like the sudden feeling of a loved one’s presence long after they’ve gone.

This fragrance smells exactly as described! It's elegant and has such a familiar aroma that I can't quite put my finger on yet. Absolutely in love

I had to purchase Coimetrophilia as it called out to my fascination with places of sacred rest of the departed and I wasn't disappointed. On application, I get this ultra-realistic wet spring grass aroma that slowly shifts over to cold wet stone, a hint of decaying white lily and finally dries down to comforting moss and dirt. Coimetrophilia captures my memories of wandering in the local cemetery as a child in spring tentatively touching the stormed-over worn stones and deciphering names and dates covered by emerald moss. For longevity, Coimetrophilia fades within a few hours. It also stayed relatively close to my skin which I appreciated as I could bring a little unique though respectful macabre into the work setting and not disturb anyone and be left to my fond memories of exploration and the stories I have gathered about those gone but not forgotten.